He spent much time following the intuitive experimental in his art through techniques, materials and possible languages in and out of Graffiti. Painting the movement, appreciating the unconscious to the expressive final result.

Today, he takes all the mutations of his work as a portal to the new understanding that the technique, aesthetics, concept and expression of transiting in a cyclical form that comes and goes, where each new series is the result of what's been done while at the same time is a step to further research, branching ideas and bringing a range of possibilities for the future creations.

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